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Перевод: umber speek umber


[прилагательное]
темно-коричневый;
[существительное]
умбра ;
[глагол]
красить умброй


Тезаурус:

  1. For the foreground, I mix up burnt umber and deep violet for the winter scene and varying shades of green for summer.
  2. Then, with the paint still damp on the paper, I apply a small, but watery mixture of burnt umber and Prussian blue to the area where the bulk of the shadows are found and allow this to bleed into the stone undercoat.
  3. This is a mixture of yellow ochre and burnt umber applied to previously dampened paper.
  4. Burnt umber, being dug from reddish brown earth in its natural state and roasted, gives a warm, brown quality when used.
  5. As the chlorophyll disappears during the autumn, the leaves turn fiery red, garnet or umber.
  6. In BR's blue-and-grey standard coach livery, later to be repainted in classic Pullman umber and cream, the Pullmans made their SLOA debut behind "Back Five" No 5407 on the Carlisle-Hellifield Cumbrian Mountain Pullman on 2 May 1981.
  7. A hundred years later George Orwell described the stagnant pools of the Ince flashes at Wigan as "covered with ice the colour of raw umber nothing existed except smoke, shale, ice, mud, ashes and foul water."
  8. Successive washes of burnt umber mixed with Prussian blue are applied to the top of the composition and pulled down, blotting out the light sections and leaving the shadows to create their own shapes.
  9. I have seen a number where three colours are used: a burnt umber and prussian blue with an introduction of terre verte in trees and foliage.
  10. I mix some sap green with Prussian blue and burnt umber still left in the palette and dab it onto the previously dampened, shaded areas of the greenery.
  11. Again, working with very wet paint onto dry paper, I apply successive washes of burnt umber and Prussian blue, burnt sienna and yellow ochre with a little more care, pulling diagonally downwards from top right to bottom left.
  12. A wash of colour is then applied over the signpost and the stile, using yellow ochre, pale olive green and burnt umber.
  13. The foreground is usually a relatively coarse aquatint and is printed in umber, a more delicate aquatint is used for the distance and sky and printed in prussian blue.

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